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Published in Interdisciplinary Digital Engagement in Arts & Humanities (IDEAH), 2020
This paper is offers a counter-hegemonic cultural memory and media archeology of punch-card technologies.
Recommended citation: Jacob, A. (2020). Punching Holes in the International Busa Machine Narrative. IDEAH. https://doi.org/10.21428/f1f23564.d7d097c2. https://ideah.pubpub.org/pub/7yvuobes/release/1
Published in Digital Studies/le champ numérique (DSCN) Open Issue 2020, 2021
This paper is describing the ways in which new forms of pedagogical practices are expanding and changing the field of Digital Humanities.
Recommended citation: Boulay, N., Morford, A. C., Jacob, A., Patel, K., O'Donnell, K. (2021). "Transforming DH Pedagogy." Digital Studies/le Champ Numérique. 11(1). https://www.digitalstudies.org/articles/10.16995/dscn.379/
Published in Interdisciplinary Digital Engagement in Arts & Humanities (IDEAH), 2021
This paper is about the the media history of the electronic battlefield and GIS.
Recommended citation: Jacob, A. (2021). "Follow The Ho Chi Minh Trail: Analyzing the Media History of the Electronic Battlefield." IDEAH. 2(1). https://ideah.pubpub.org/pub/wo0hq41g/release/2
Published in Interdisciplinary Digital Engagement in Arts & Humanities (IDEAH), 2022
What does a robust and useful technological response to a crisis, aware and attentive to the biases and messages of digital media, look like?
Recommended citation: Bryant, Haley, Nelanthi Hewa, Camille Inston and Arun Jacob (2022).“Making the most of the ‘crisortunity’: Techno-fixes and precarity in a global pandemic” Interdisciplinary Digital Engagement in Arts & Humanities (IDEAH), vol. 3, no. 2, Dec 02, 2022. https://doi.org/10.21428/f1f23564.db5a6abe. https://ideah.pubpub.org/pub/vpuit7w4/release/2
Published in TOPIA: Canadian Journal of Cultural Studies, 2024
Geofencing is a practice that exploits the intimacy of locational data not simply by accessing private data but also by using intimate data to index the body in relation to risk and safety and property and trespass.
Recommended citation: Noone, Rebecca, and Arun Jacob. (2024). “Bad Boundaries: Geofences and the Intimacies of Location Data,” TOPIA: Canadian Journal of Cultural Studies, Issue 48, Special Issue: Platform Intimacies. https://doi.org/10.3138/topia-2023-0035 https://doi.org/10.3138/topia-2023-0035
Published in Diverging the Popular, Gender and Trauma AKA The Jessica Jones Anthology, 2024
Kilgrave’s psychological abuse of his victims, his absolute and total control, his manipulation, and his dominance over their agency are all part of what makes him utterly terrifying: his powers are subtle exaggerations of very real human abilities.
Recommended citation: Jacob, Arun and Elizabeth Di Emanuele. (2024). “AKA WWJD?: Interrogating Gendered Ideologies and Urban Revanchism”, Diverging the Popular, Gender and Trauma AKA The Jessica Jones Anthology edited by Mary Grace Lao, Jessica Bay and Pree Rehal, University of Calgary Press. pp. 243-252. https://ucp.manifoldapp.org/projects/9781773855752. https://ucp.manifoldapp.org/projects/9781773855752/resource/chapter-15-aka-wwjd-interrogating-gendered-ideologies-and-urban-revanchism
Published:
This is a description of your conference proceedings talk, note the different field in type. You can put anything in this field.
Published:
As a way to illustrate Research Data Management (RDM) in practice, I was invited to speak at on this panel consisting of both researchers and those working in research support, discussing their experiences with data management, with a focus on unforeseen events that can lead to a disruption, near disruption, or horror story in a research project!
Community College Courses, Department of Liberal Studies, School of Community, Justice and Liberal Studies, Mohawk College of Applied Arts and Technology, 2018
I have been a Sessional Instructor at Mohawk College of Applied Arts and Technology, Hamilton, Ontario.
Teaching Assistant, University of Toronto, Faculty of Information, 2019
I have been a Teaching Assistant at the Department of Arts, Culture and Media, University of Toronto, Scarborough, the Institute of Communication, Culture, Information and Technology, University of Toronto, Mississauga and the Faculty of Information, University of Toronto, St. George.